Gateway Classical Music Society

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Our Mission

Gateway Classical Music Society was founded to foster excitement, appreciation and popularity for classical music by presenting performances designed to achieve impact and intimacy, and to provide opportunities for artists to develop their skills and careers.

Our Philosophy

We are an organization dedicated to bringing the thrill of great classical music performances to audiences in city and suburban neighborhoods everywhere - not just in the rarified precincts of large metropolitan concert halls, but in houses of worship, theaters and other intimate settings. Gateway presents high quality concerts of large music works, (opera, symphony, oratorio) and highlights thereof, with intensity and visceral impact.

Our aim is to make classical music works of art more accessible to the public at large. We believe there is great public hunger for the fruits of profound artistic genius, irrespective of labels like ''classical.'' An example from the world of visual art illustrates this point: In 1995, the National Gallery of Art in Washington D.C. presented a retrospective exhibition of masterpieces by Johannes Vermeer. People from all walks of life began lining up to see the paintings at 5:00 a.m. - 5:00 in the morning! In Germany, audiences hail the Berlin Philharmonic with the ebullient enthusiasm that American audiences lavish on rock and roll stars. Gateway believes that we can make a difference in building that kind of popularity for classical music in America.

History

Gateway has been in existence since July of 2004 and, since that time, has produced numerous masterworks under our Great Works of Art up Close and Personal program in Connecticut and New York City with the Gateway Orchestra, chorus and soloists acquired through competitive audition. Beginning on October, 10, 2004 with our inaugural performance of Verdi's Aida, Gateway has presented performances, in New York City and Southern Connecticut, of Aida, Carmen, the Verdi Requiem, Rigoletto, the Rossini Stabat Mater, the Beethoven Ninth Symphony, the Mendelssohn Violin Concerto, Madama Butterfly and numerous Highlights concerts of orchestral works, opera arias and ensembles.

Audience Response

After our inaugural performance of Aida, a young man exclaimed, ''Wow! I had no idea opera could be like this. I was blown away.'' A woman who insisted her reluctant husband attend Aida reported, ''His whole personality changed. He couldn't wait to clap and yell 'bravo' at every possible opportunity. I've never seen him so excited by a concert.'' A young woman who took her grandparents to see the Verdi Requiem said, ''They usually fall asleep at concerts but they were both sitting there with their eyes wide open the whole time and said afterwards that it was the best thing they'd ever heard.''

Artistic Director and Conductor

Ida Angland is the Artistic Director and Conductor for Gateway Classical Music Society. Characterized as having ''inner genius,'' ''flair'' ''idealism'' and ''grit,'' Ida Angland's track record of outstanding performances described in reviews as ''thrilling,'' ''compelling,'' ''a revelation,'' ''unforgettable,'' and ''amazing'' speaks for itself. Ida Angland's commitment to providing opportunities for deserving artists and connecting the public to high art on a powerful level has, through her leadership, enabled Gateway to produce Great Works of Art Up Close and Personal as well as implement other programs for the advancement of music and of artists.

Our Programs

Great Works of Art Up Close and Personal
This program features large works of art (operas, symphonies and oratorios) presented in somewhat smaller than conventional venues. Being in closer proximity to the orchestra and other artists creates an intimate, musically and dramatically heightened experience.

Masterworks Illuminated
This program utilizes creative educational devices to illuminate masterpieces that encompass performances of complete works or excerpts thereof. The aim of this program is to open new vistas of music pleasure, education, and appreciation to the general public, students, families and young adults.

Organizational Structure

Our governing components consist of a board of directors and an advisory board comprising artists and business experts in diverse professional fields. Our artistic components consist of an orchestra of master musicians, the foundation for all our performances. Our outstanding soloists and chorus of regional singers participate as selected works require.

Future Plans

As growth allows, expanded programs will be introduced to fulfill the mission. Among these will be the development of an apprentice program for exceptionally talented young adults that will help bridge the gulf between formal education and a professional career.

Quotations

Oct 10, 2004 inaugural performance of Verdi's Aida in Old Greenwich, Connecticut ''...This very professional group deserves much praise for its performance and for adding yet another dimension to the lives of those fortunate enough to have enjoyed their debut...'' Letter to the editor...Greenwich Post, Oct. 14, 2004

May 22 and May 23, 2005 Bizet's Carmen in Old Greenwich, CT ''On May 21, we attended a rousing and magnificent performance of Bizet's Carmen... Ida Angland conducted a thrilling and compelling performance... The superb Gateway Classical Music Society should not be a rose in the desert for none to see...'' Letter to the editor...Greenwich Time, June 13, 2005

October 20, 2005
Gateway's New York City debut with Verdi's Aida ''From the opening bars to the soaring passages of The Grand March...to the silence of the tomb finale, the superb Gateway Orchestra and Chorus sang as one breath. The audience heard nuances and colors in the score that were a revelation...This was an unforgettable experience and we all welcome this new and amazing company to New York City.'' Review...The Italian Voice, Nov. 17, 2005

April 29 and May 2, 2006 Verdi Requiem in Old Greenwich and New York City ''The soft opening notes took one into a spiritual realm that grew and reached heights and depths that only a sorcerer could delve... The orchestra literally wept in the Lacrymosa. Never have I heard it so powerfully done.'' Review of Verdi Requiem in New York ... The Italian Voice, May 11, 2006

June 28, 2006 Highlights in New York City ''Under the inspiring leadership of conductor Ida Angland, an unforgettable magic carpet of a musical journey awaited us... The cheers of the audience resounded throughout the church. There is a great need for this kind of evening in the lives of us all.'' Review of Highlights...The Italian Voice, July 6, 2006

May 9 and May 10, 2007 Rigoletto in New York City ''Under the commanding baton of Ida Angland, the entire orchestra gave us the visceral thrill of irony, mockery and utter tragedy'' Review of Rigoletto , The Italian Voice, May 24, 2007

May 2, 2008 Beethoven-Ninth Symphony and Rossini-Stabat Mater in Old Greenwich ''The performance was fantastic.'' Letter to the editor, Stamford Advocate, June 1, 2008

May 9, 2008 Beethoven Ninth Symphony in New York City ''Ida Angland and orchestra... opened the very soul of the composer for all to share.'' Review, The Italian Voice, June 12, 2008

April 17, 2009 Performance featuring three composers (Mendelssohn, Puccini and Verdi) in New York City ''. . . Overture to La forza del destino. . .We heard this magnificent piece as if tor the first time with fresh insights and breathless anticipation. . .We look forward to the next concert from this outstanding company.'' Review -The Italian Voice, May 14, 2009

May 19 and May 22, 2010 Madama Butterfly in New York City
''Maestro Angland truly brought her musicians as close to perfection as one possibly could. The melodies, themes and harmonies of this gorgeous score were created anew.'' Review The Italian Voice, July 22, 2010

Gateway Classical Music Society is a not-for-profit 501(c)(3) corporation.
All contributions are tax deductible.