Gateway Classical Music Society,
Gateway Classical Music Society of New York and the New York Grand Opera are 501(c)(3) not-for-profit corporations.
All contributions are tax deductible as allowable by law.
featuring live Gateway Orchestra performance excerpts
and performances of works by living composers
Carmen Fantasie for Violin and Orchestra-Waxman
O Colombina - I Pagliacci - Leoncavallo
Non so piu - Le nozze di Figaro - Mozart
Giovanna, ho dei rimorsi - Addio, addio - Rigoletto - Verdi
Rigoletto Quartet - Rigoletto - Verdi
Overture - Celeste Aida - Amneris'entrance - Aida - Verdi
Celeste Aida - Aida - Verdi
Lucia di Lammermoor sextet - Lucia di Lammermoor - Donizetti
Folie, folie...Sempre libera - La Traviata - Verdi
Mon Coeur - Samson et Dalila - Saint-Saens
Queen of the Night - Vengeance Aria - The Magic Flute - Mozart
Composer Philip Salter
1) For Helene 2) Pair of Bells - Blake Friedman, Tenor
3) His Master's Voice 4) Daddy - Elizabeth Treat, Soprano
5) Luminary 6) Inch by Inch - Danielle Davis, Soprano
Composer Albert Markov
7) Sonata for Violin - Yigit Karatas, Violin
Yigit Karatas
8) Violin arrangement of Mozart's Sonata No. 11 K331 for piano, third movement, Rondo alla Turca - arranged and performed by Yigit Karatas, Violin
Andreas Foivos Apostolou
9) Trio for Piano, Cello and Flute 10) Metamorphosis for Piano
11) Glass Menagerie for Septet
Roberto Sierra
"Doña Rosita la Soltera (Doña Rosita the Spinster), by Roberto Sierra
Anna Lorraine Tonna, Mezzo-Soprano
Six songs by Philip Salter
Sonata for Violin by Albert Markov
Yigit Karatas, Violin
Mozart's Rondo alla Turca arranged and performed by Yigit Karatas
Three works by Andreas Foivos Apostolou
Metamorphosis for Piano
Glass Menagerie for Septet
Trio for Piano, Cello and Flute
"Doña Rosita la Soltera (Doña Rosita the Spinster) by Roberto Sierra
Composed for mezzo- soprano and wind quintet, the work dates from 1985. The text was fashioned from the Act I monologue of the play by Federico Garcia Lorca of the same title (1935), a year before his death
The text describes a bizarre parade that takes place in Granada (Spain) in the middle of the night. Three Spanish girls in full Spanish costume are walking in a single file, with geese and doves trailing behind them. In this amusing fantasy, wit, sarcasm and humor underscore the poet’s words of possible lovers’ trysts, sobbing fountains and bronze church bells that rustle softly in the wind.
Daunting is the Women; Music and Lyrics by Ida Angland
with
Sopranos Lisa Bryce, Virginia Herrera-Crilly, Danielle Davis,
Chivonne Perkins, Elizabeth Treat
Mezzo-Sopranos Linda Collazo, Allison Gish, Anna Lorraine Tonna
Gateway Classical Music Society presents the virtual premieres of Daunting is the Woman , an original composition and lyrics by Ida Angland, Gateway's artistic director.
The composition is dedicated to monuments to real women and was originally intended as a live performance in Central Park commemorating the 100th anniversary of the ratification of the Nineteenth Amendment to the Constitution on August 26, 2020, at which time the first monument in Central Park to three real women by sculptor Meredith Bergmann was unveiled.
To read about the soloists who are singing in these virtual performances, please click on the artist bios pages, as seen in the above contents display. To learn more about the composition, please read the note below the videos from the composer.
Version 1 - higher key refrain
Version 2 - lower key refrain
Note from the composer about Daunting is the Woman
Greetings to my fellow friends and colleagues. During this tumultuous time in our history, I am pleased to premiere through Gateway Classical Music Society,
Daunting is the Woman , a song, which is a marching hymn, I composed and dedicated to monuments to real women and the unveiling of the first monument to three real women by sculptor Meredith Bergmann, which took place on August 26, 2020 in Central Park, New York City commemorating the 100th anniversary of the ratification of the Nineteenth Amendment to the Constitution – women’s right to vote.
As I thought about the symbolism of having no monuments of real women in Central Park, I began to feel inspired to write a poem reflecting the feelings perpetrated by this reality and to realize how important monuments are, especially underscored by the fact that the only female statues that currently stand in Central Park are of nymphs, witches and Mother Goose. I then composed a song from the poem’s words and chose a marching hymn, because I preferred to have a marshal feeling throughout, but still make it accessible to anyone wishing to sing it, which a marching hymn does well. I chose a minor mode for the hymn’s first three stanzas, which I wanted to reflect the sadness and seriousness of how women’s accomplishments are often dismissed and forgotten. As the words change in the poem to express that a change is approaching, I chose the parallel major key to reflect the hope inherent in change for the better. The reason for writing two versions of the song was to make it accessible to more people who may wish to sing it, by writing a lower key refrain in the second version.
I composed Daunting is the Woman just prior to the pandemic taking hold when I was invited to perform it in Central Park and envisioned it with brass choir, solo trumpet and singers. Now, however, due to the pandemic, Gateway Classical Music Society will virtually premiere both versions of the song with piano, to honor this exceedingly important event in American history and unveiling of Central Park’s first monument to real women.
As you listen to Daunting is the Woman performed by several singers of Gateway Classical Music Society, perhaps you will like to follow the words and sing along. The voices of several soloists all singing together sound so prideful, and more than one reminds us of how many voices it took to pass the nineteenth amendment in the first place.
We are thrilled to share this experience with you, contribute to the monumental movement and rev up collective enthusiasm to embrace the accomplishments of women everywhere!
The Poem
Daunting is the Woman by Ida Angland
A poem of oppression, perseverance and conquest
Dedicated to Monumental Women in celebration of monuments to real women
Central Park, New York City, August 2020
Daunting is the woman
Whose statue stands divine
A monument to eternity
Her bearing proud sublime
Standing tall and beautiful
Belies her suff’ring and tears
For living seen tho invisible
In time to marching years
Truth revealed her compromised
Dismissed, forgotten and small
But now the trends are turning
As gallant she stands tall
A change is now approaching
Remembered times unfold
In monuments to woman
Preserve her story told
Rising far revealing
So high above the stone
Her light forever glist’ning
Immortal strides are sewn
Daunting is the woman
Her worth at last be known
Her light forever glist’ning
So high above the stone
Copyright December 2019
~
Ida Angland
Gateway Classical Music Society,
Gateway Classical Music Society of New York
and the New York Grand Opera
are 501(c)(3) not-for-profit corporations.
All contributions are tax deductible as allowable by law.