Gateway Classical Music Society,

Gateway Classical Music Society of New York and the New York Grand Opera are 501(c)(3) not-for-profit corporations. 

All contributions are tax deductible as allowable by law.


Virtual Performances

Virtual Performances

featuring live Gateway Orchestra performance excerpts

and performances of works by living composers





Vidoes of live performance excerpts with the Gateway Orchestra

1) Carmen fantasie for violin and orchestra  2) O Colombina-I Pagliacci 3)  Non so piu-Le nozze di Figaro  4) Giovanna ho dei rimorsi, Addio duet-Rigoletto  5) Rigoletto Quartet  6) Aida overture, Celeste Aida, Amneris' entrance  7)  Celeste Aida  8) Lucia di Lammermoor sextet  9) Folie folie, Sempre libera, La Traviata 10) Mon Coeur, Samson et Dalila  11)  Queen of the Night-Vengeance Aria, The Magic Flute


Carmen Fantasie for Violin and Orchestra-Waxman

O Colombina - I Pagliacci - Leoncavallo

Non so piu - Le nozze di Figaro - Mozart

Giovanna, ho dei rimorsi - Addio, addio - Rigoletto - Verdi 

Rigoletto Quartet - Rigoletto - Verdi

Overture - Celeste Aida - Amneris'entrance - Aida - Verdi

Celeste Aida - Aida - Verdi

Lucia di Lammermoor sextet - Lucia di Lammermoor - Donizetti

Folie, folie...Sempre libera - La Traviata - Verdi

Mon Coeur - Samson et Dalila - Saint-Saens

Queen of the Night - Vengeance Aria - The Magic Flute - Mozart


Gateway Virtual presents the following performances by living composers

Composer Philip Salter

1) For Helene    2) Pair of Bells - Blake Friedman, Tenor 

3) His Master's Voice    4) Daddy - Elizabeth Treat, Soprano 

5) Luminary    6) Inch by Inch - Danielle Davis, Soprano

Composer Albert Markov

7) Sonata for Violin - Yigit Karatas, Violin

Yigit Karatas

8) Violin arrangement of Mozart's Sonata No. 11 K331 for piano, third movement, Rondo alla Turca - arranged and performed by Yigit Karatas, Violin

Andreas Foivos Apostolou

9) Trio for Piano, Cello and Flute  10) Metamorphosis for Piano 

11) Glass Menagerie for Septet

Roberto Sierra

"Doña Rosita la Soltera (Doña Rosita the Spinster), by Roberto Sierra

Anna Lorraine Tonna, Mezzo-Soprano



Six songs by Philip Salter


Sonata for Violin by Albert Markov

Yigit Karatas, Violin

Mozart's Rondo alla Turca arranged and performed by Yigit Karatas


Three works by Andreas Foivos Apostolou

Metamorphosis for Piano

Glass Menagerie for Septet

Trio for Piano, Cello and Flute


"Doña Rosita la Soltera (Doña Rosita the Spinster) by Roberto Sierra

Composed for mezzo- soprano and wind quintet, the work dates from 1985. The text was fashioned from the Act I monologue of the play by Federico Garcia Lorca of the same title (1935), a year before his death


The text describes a bizarre parade that takes place in Granada (Spain) in the middle of the night. Three Spanish girls in full Spanish costume are walking in a single file, with geese and doves trailing behind them. In this amusing fantasy, wit, sarcasm and humor underscore the poet’s words of possible lovers’ trysts, sobbing fountains and bronze church bells that rustle softly in the wind.


Daunting is the Women; Music and Lyrics by Ida Angland

with

Sopranos Lisa Bryce, Virginia Herrera-Crilly, Danielle Davis, 

Chivonne Perkins, Elizabeth Treat

Mezzo-Sopranos Linda Collazo, Allison Gish, Anna Lorraine Tonna

Gateway Classical Music Society presents the virtual premieres of  Daunting is the Woman , an original composition and lyrics by Ida Angland, Gateway's artistic director.


The composition is dedicated to monuments to real women and was originally intended as a live performance in Central Park commemorating the 100th anniversary of the ratification of the Nineteenth Amendment to the Constitution on August 26, 2020,  at which time the first monument in Central Park to three real women by sculptor Meredith Bergmann was unveiled.


To read about the soloists who are singing in these virtual performances, please click on the artist bios pages, as seen in the above contents display.  To learn more about the composition, please read the note below the videos from the composer.

Version 1 - higher key refrain

Version 2 - lower key refrain

Note from the composer about Daunting is the Woman


Greetings to my fellow friends and colleagues. During this tumultuous time in our history, I am pleased to premiere through Gateway Classical Music Society, Daunting is the Woman , a song, which is a marching hymn, I composed and dedicated to monuments to real women and the unveiling of the first monument to three real women by sculptor Meredith Bergmann, which took place on August 26, 2020 in Central Park, New York City commemorating the 100th anniversary of the ratification of the Nineteenth Amendment to the Constitution – women’s right to vote.


As I thought about the symbolism of having no monuments of real women in Central Park, I began to feel inspired to write a poem reflecting the feelings perpetrated by this reality and to realize how important monuments are, especially underscored by the fact that the only female statues that currently stand in Central Park are of nymphs, witches and Mother Goose. I then composed a song from the poem’s words and chose a marching hymn, because I preferred to have a marshal feeling throughout, but still make it accessible to anyone wishing to sing it, which a marching hymn does well. I chose a minor mode for the hymn’s first three stanzas, which I wanted to reflect the sadness and seriousness of how women’s accomplishments are often dismissed and forgotten. As the words change in the poem to express that a change is approaching, I chose the parallel major key to reflect the hope inherent in change for the better. The reason for writing two versions of the song was to make it accessible to more people who may wish to sing it, by writing a lower key refrain in the second version. 


I composed Daunting is the Woman just prior to the pandemic taking hold when I was invited to perform it in Central Park and envisioned it with brass choir, solo trumpet and singers. Now, however, due to the pandemic, Gateway Classical Music Society will virtually premiere both versions of the song with piano, to honor this exceedingly important event in American history and unveiling of Central Park’s first monument to real women. 


As you listen to Daunting is the Woman performed by several singers of Gateway Classical Music Society, perhaps you will like to follow the words and sing along. The voices of several soloists all singing together sound so prideful, and more than one reminds us of how many voices it took to pass the nineteenth amendment in the first place. 


We are thrilled to share this experience with you, contribute to the monumental movement and rev up collective enthusiasm to embrace the accomplishments of women everywhere!


The  Poem

Daunting is the Woman by Ida Angland

A poem of oppression, perseverance and conquest

Dedicated to Monumental Women in celebration of monuments to real women

Central Park, New York City, August 2020


Daunting is the woman

Whose statue stands divine

A monument to eternity

Her bearing proud sublime


Standing tall and beautiful

Belies her suff’ring and tears

For living seen tho invisible

In time to marching years


Truth revealed her compromised

Dismissed, forgotten and small

But now the trends are turning

As gallant she stands tall


A change is now approaching

Remembered times unfold

In monuments to woman

Preserve her story told


Rising far revealing

So high above the stone

Her light forever glist’ning

Immortal strides are sewn


Daunting is the woman

Her worth at last be known

Her light forever glist’ning

So high above the stone


Copyright December 2019


~ Ida Angland


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